Thursday, 20 July 2017
Storyboard: photographic
Shot 1: Overhead shot of our protagonist playing the piano (3 seconds)
Shot 2: Close up shot of protagonist's hands (6 seconds) - this shot type has been changed from the original shot type (an establishing shot) on our shooting script as myself and Keeley decided it looked better.
Shot 3: Close up shot of protagonist in the back of a car (4 seconds)
Shot 4: Mid-shot of protagonist wiping her tears (4 seconds)
Shot 5: Extreme close up of protagonist's mouth taking a sip of alcohol (3 seconds)
Shot 6: Wide shot of protagonist getting out of taxi (3 seconds)
Shot 7: tracking shot following protagonist walking down the street (4 seconds)
Shot 8: Mid shot of protagonist sitting on a wall. (5 seconds)
Shot 9: Tracking shot following protagonist walking down the street. (6 seconds)
Shot 10: Over the shoulder shot of protagonist's friend coming down the street (2 seconds)
(unfortunately, the friend is absent from the photograph).
Shot 11: Reaction shot showing the protagonist's reaction (2 seconds)
Shot 12: Wide shot of protagonist and her friend talking (4 seconds)
Shot 13: Close up of protagonist's friend shaking her head and displaying an unsure facial expression. (2 seconds)
Shot 14: POV shot showing protagonist's friend walking away from her point of view. (3 seconds)
Shot 15: Reaction shot showing our protagonist's facial expression (2 seconds)
Shot 16: Tracking shot following our protagonist as she walks away (6 seconds)
Shot 17: Tracking shot following our protagonist running. (4 seconds)
Shot 18: Close up of protagonist's feet running against the ground. (2 seconds)
Shot 19: Tracking shot following protagonist running (3 seconds)
Shot 20: Wide shot of protagonist arriving home and bursting through her door (3 seconds)
Shot 21: Low angle of protagonist running upstairs (4 seconds)
Shot 22: Wide shot of protagonist slamming her door (2 seconds)
Shot 23: Mid shot of protagonist looking at her phone after hearing a text (2 seconds)
Shot 24: Close up of a message displayed on protagonist's phone (3 seconds)
Shot 25: Close up of protagonist slamming her phone down on the bed (2 seconds)
Shot 26: High angle of protagonist getting a photo album and some photos out from under her bed. (3 seconds)
Shot 27: Close up of protagonist burning the photos. (5 seconds)
Shot 28: Shot/reverse shot, showing the ripped photos on the bed and then showing the protagonist's facial expression (4 seconds)
Shot 29: Reaction shot showing the protagonist's facial expression (3 seconds)
Shot 30: Close up of protagonist's hand picking up a strip of pills (2 seconds)
Shot 31: Extreme close up of protagonist putting the pills into her mouth (3 seconds)
Shot 32: Wide shot of protagonist falling onto her bed (4 seconds)
Shot 33: Extreme close up of protagonist's eyes closing (2 seconds)
Final shooting script
Final shooting script
Shot
number
|
Shot
type
|
Shot
description
|
Shot
duration (seconds)
|
1
|
Overhead
shot
|
Protagonist
(teenage girl) playing the piano
|
5
|
2
|
Establishing
shot
|
Protagonist
playing the piano; showing the location too
|
6
|
3
|
Close up
|
Protagonist
in the back of a taxi, crying and distressed
|
4
|
4
|
Mid-shot
|
Protagonist
wiping her tears, face concealed beneath her hands
|
4
|
5
|
Extreme
close up
|
Protagonist’s
mouth taking a sip of alcohol
|
3
|
6
|
Wide
shot
|
Protagonist
getting out of taxi
|
3
|
7
|
Tracking
shot
|
Following
protagonist walking down the road
|
3
|
8
|
Mid
close up, intertwined with an overlay mid shot
|
Protagonist
sitting on a wall, overlaid with a boy and a girl having fun (flashback of a
previous happy) relationship
|
5
|
9
|
Tracking
shot, overlaid with a wide shot
|
Protagonist walking down the road with
an overlay of the same boy and girl, showing happy memories.
|
6
|
10
|
Over
shoulder shot
|
New
characters (protagonists’ friends coming down the street)
|
2
|
11
|
Reaction
shot
|
Protagonist’s
reaction; she is happy to see her friends.
|
2
|
12
|
Wide
shot
|
Protagonist
and her friends talking
|
4
|
13
|
Close up
|
One
friend shaking her head and displaying an unsure facial expression
|
2
|
14
|
POV shot
|
Protagonist’s
friends walking away from her point of view
|
3
|
15
|
Reaction
shot
|
Protagonist’s
facial expression; she is upset
|
2
|
16
|
Tracking
shot/overlay mid shot
|
Protagonist
walking away, overlaid with flashbacks of her previous happy relationship
|
6
|
17
|
Tracking
shot
|
Protagonist
running
|
4
|
18
|
Extreme
Close Up
|
Protagonist’s
feet running against the ground
|
2
|
19
|
Tracking
shot/ overlay wide shot
|
Protagonist
running overlaid with flashbacks of her previous happy relationship
|
3
|
20
|
Wide
shot
|
Protagonist
arriving home and bursting through her door
|
3
|
21
|
Low
angle
|
Protagonist
running upstairs
|
3
|
22
|
Wide
shot
|
Protagonist
slamming her door
|
2
|
23
|
Mid shot
|
Protagonist
hears a text come through and gets her phone out of her pocket
|
2
|
24
|
Close up
|
Message
displayed on the phone reading “we don’t want anything to do with you”, from
her friends.
|
3
|
25
|
Close up
|
Protagonist
slamming her phone down on her bed
|
2
|
26
|
High
angle
|
Protagonist
getting a box of photos and a photo album out
|
3
|
27
|
Close Up
|
Protagonist
getting photos out and ripping/burning them
|
5
|
28
|
Shot/reverse
shot
|
Showing
the ripped photos on the bed and then showing the protagonists’ facial
expression
|
5
|
29
|
Reaction
shot
|
Showing
the protagonists’ facial expression: angry, sad and upset
|
3
|
30
|
Close up
|
Protagonists’
hand picking up a bottle of pills
|
2
|
31
|
Extreme
close up
|
Protagonist
putting pills into her mouth and drinking from a bottle of alcohol
|
4
|
32
|
Wide
shot
|
Protagonist
falling onto her bed, resting her head onto her pillow
|
4
|
33
|
Extreme
close up
|
Protagonist’s
eyes closing
|
2
|
Draft shooting script feedback
Whilst presenting our draft shooting script to our peers, we received a variety of constructive feedback. Considering this was our first draft, there were inevitably a number of factors that needed to be altered when it came to creating our final shooting script.
One comment that we received was that we should specify who the character was in our shooting script, as opposed to simply writing "girl".
Another comment that we received is that we should include more locations throughout our shooting script and include more detail in general - some of our peers said that the information included was too vague.
Some positive feedback that we received was that we included an effective amount of different shot types throughout our shooting script, we aim to apply this variation of shot types to our final shooting script whilst adding more detail regarding location and characters in order to improve our final product.
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